Paris, Day 4

Eight-thirty AM found A and I in line in front of the Louvre. I'm so glad A had us get there early because there was already a fair-sized line when we arrived. Our tickets were for 9 AM, opening time. When it opened, we filed through the door into the glass pyramid. We passed through a security check before descending an escalator into the foyer. The foyer, if it can be called that, was huge: creamy marble floors and a roof made of the glass pyramid we'd just entered. We looked around, a bit dazed, not sure where to go. People were already scattering around us, going every which way. We ended up finding the Information Desk, getting maps, and then deciding to go to the Richelieu wing first.
The Louvre was formerly a palace, and it has three main buildings: Richelieu, Denon, and Sully. Each building's design and architecture is beautiful as well as the art it contains. Ceilings bore ornate moldings, rooms opened up into indoor balconies looking down on an inner courtyard, large windows looked out on the outer courtyard where the glass pyramids sat and people lined up to get in.
We went to the classical painting section first. We had a few specific art pieces we wanted to see, but there was no hurry, so we ambled along room to room, not keeping track of where we were on the map. The paintings were all sizes, but most of them were large. Like couch-size large. There were paintings depicting landscapes, portraits, scenes from the Bible, from history, from the lives of Catholic saints, from the everyday lives of the artists. I could tell there was so much history I didn't know in and through every piece of art.
We eventually wandered out of the painting section and into the furniture section. Several rooms had been reconstructed to look just like a royal parlor or drawing room from the 1700s or 1800s. We wandered into the sculpture and statuary section. Then from there to objets d'arts. Then from there back to more paintings. We saw so much stuff. I was surrounded by a dizzying display of paintings, sculptures, historical objects, utensils, furniture, jewelry, and grandeur.
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| Venus de Milo |


















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